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Moving Through Shadows
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• Shadows [The]
• Fall, Shadows
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You've selected:
Moving Through Shadows
Sheetmusic to print
7 sheet music found
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1
Moving Through Shadows & Light – fl, harp, vla
Moving Through Shadows & Light â fl, harp, vla
#
Flute, Viola and harp
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INTERMEDIATE/ADVANCED
#
Contemporary
#
Rain Worthington
#
Moving Through Shadows & Light
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SR Worthington
#
SheetMusicPlus
Small Ensemble Flute,Harp,Viola - Level 4 - SKU: A0.916257 Composed by Rain Worthington. 20th Century,Concert,Contemporary. Score and parts. 9 pages. SR...
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Small Ensemble Flute,Harp,Viola - Level 4 - SKU: A0.916257 Composed by Rain Worthington. 20th Century,Concert,Contemporary. Score and parts. 9 pages. SR Worthington #3035581. Published by SR Worthington (A0.916257). An evocative piece for flute, harp and viola. A passage through an emotional landscape, moving through memories – at moments dark and remote, other times lucid. Premiere 2008: Hartford Festival of Women Composers, Hartford, CT(Audio is a midi realization) https://soundcloud.com/rain-worthington/moving-through-shadows-light-flute-harp-viola/s-gUxnL(ca. 5') ASCAP/Publisher SR Worthington
$4.50 ≈
4.20€
Through the Night of Doubt and Sorrow
Through the Night of Doubt and Sorrow
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Choral SATB
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Sacred music
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Lloyd Larson
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Through the Night of Doubt and
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Lorenz Publishing - Digital Sheet Music
#
SheetMusicPlus
SATB choir, Piano - SKU: LX.10-5283L An Anthem for Lent. Arranged by Lloyd Larson. Sacred Anthem, Holy Week, Lent. Octavo. 12 pages. Lorenz Publi...
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SATB choir, Piano - SKU: LX.10-5283L An Anthem for Lent. Arranged by Lloyd Larson. Sacred Anthem, Holy Week, Lent. Octavo. 12 pages. Lorenz Publishing - Digital Sheet Music #e10/5283L. Published by Lorenz Publishing - Digital Sheet Music (LX.10-5283L). ISBN 9780787765422.Crafted by Lloyd Larson for the season of Lent, this anthem speaks of the journey filled with perils and uncertainty that ultimately takes us from a place of shadows to a place of light. Thoughtful lyrics combine with rich choral moments to produce a moving and meaningful piece.
$2.50 ≈
2.33€
Goin' Home - From the New World Op. 95
Goin' Home - From the New World Op. 95
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Harp, Flute (duet)
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INTERMEDIATE
#
Classical
#
Antonin Dvorak
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Goin' Home - From the New Worl
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HarpSong, Jennifer Grady and Karen Almquist
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SheetMusicPlus
Instrumental Duet Flute,Harp,Instrumental Duet - Level 3 - SKU: A0.502638 Composed by Antonin Dvorak. Arranged by Arranged by Karen Almquist, Edited by ...
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Instrumental Duet Flute,Harp,Instrumental Duet - Level 3 - SKU: A0.502638 Composed by Antonin Dvorak. Arranged by Arranged by Karen Almquist, Edited by Jennifer Grady. Classical,Romantic Period. Score and parts. 4 pages. HarpSong, Jennifer Grady and Karen Almquist #114989. Published by HarpSong, Jennifer Grady and Karen Almquist (A0.502638). “Goin Home” is a peaceful and moving flute and harp arrangement of Antonin Dvorak’s magnificent Symphony No. 9 “From the New World” 2nd Movement. The arrangement in Eb begins and ends quietly in the lower register of the instruments. The flute introduces the melody over quiet eighth note arpeggios on the harp. The harp plays the melody in the second verse. “Goin Home” builds to a glorious ending with an uplifting harp glissando, full rolled chords and flute soaring in its high register. The music is full of emotion and hope. William Arms Fisher a student of Dvorak penned the moving lyrics “Goin Home” to the music. Goin' home. Goin' home. I'm a-goin' home. Quiet-like some still day, I'm just goin' home. It's not far, just close by, through an open door. Work all done, cares laid by, goin' to roam no more; Mother's there 'xpecting me, father's waiting, too, Lots of folks gathered there, all the friends I knew. Morning star lights the way, restless dream all done. Shadows gone, break of day, real life just begun. There's no break, there's no end, just a-living on; Wide awake, with a smile, going on and on. Going home. Going home, I'm just going home. It's not far, just close by, through an open door.
$4.99 ≈
4.66€
Ausente [piano solo]
Ausente [piano solo]
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Juan MarÃa Solare
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Ausente [piano solo]
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Juan Maria Solare
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.596539 Composed by Juan María Solare. 20th Century,Concert,Contemporary. Score. 7 pages. Juan Maria Solare #3880115. Pub...
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Piano Solo - Level 4 - SKU: A0.596539 Composed by Juan María Solare. 20th Century,Concert,Contemporary. Score. 7 pages. Juan Maria Solare #3880115. Published by Juan Maria Solare (A0.596539). Listen: https://soundcloud.com/juan-maria-solare/ausenteAusente (Abstent) is an atonal milonga. If Franz Liszt composed a Bagatelle without tonality, why not a milonga without tonality. This piece is placed somewhere between classical music and new tango. Moderator Louis Barabbas wrote about Ausente for the BBC blog Fresh On The Net nr. 305 (19 November 2018), http://freshonthenet.co.uk/2018/11/faves305 Described as 'somewhere between classical music and new tango' the artist’s phrasing here is telling: somewhere rather than something. For in Juan Maria Solare’s Ausente (absent) we are certainly transported. Each angular phrase jutting up like stone columns or distended stalactites in a limey cave. The trickling thrust of its furtive intent feels somehow elemental yet focused through an urban noir prism, drops of heavy water in varying temperatures, some icicles and some steam, shards of smoky light poking around slow moving fan blades and between the rusty teeth of ancient window grills, monstrous warped shadows cast up from humble orphaned minutiae. Music as beautiful and unsettling as it is hard to dance to. The idea of dancing this piece was a surprise for me, since tango music doesn't need to be danced to (you can also just listen to it). But if you wonder how this tango would appear danced, imagine it is not called tango but contemporary ballet rooted in tango - and suddenly you find ways of dancing it... provided an open-minded choreographer is on board! If someone wants to dance this music in the style of the tango of 1920, they will have a hard time. It would be like trying to dance Strawinsky's Le Sacre du printemps as if it were the Blue Danube Waltz. Juan María Solare http://www.JuanMariaSolare.com
$2.50 ≈
2.33€
The Sundials: III; Tempus Fugit Velut Umbra (Time flees like a shadow)
The Sundials: III; Tempus Fugit Velut Umbra (Time flees like a shadow)
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Contemporary
#
Matthew Scott Phillips
#
The Sundials: III; Tempus Fugi
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Matthew Scott Phillips
#
SheetMusicPlus
Piano Trio,String Ensemble - SKU: A0.1004151 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 9 pages. Matthew Scott Phil...
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Piano Trio,String Ensemble - SKU: A0.1004151 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 9 pages. Matthew Scott Phillips #3510887. Published by Matthew Scott Phillips (A0.1004151). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00 ≈
1.87€
The Sundials: I;Tempus Edax Rerum (Time devours things)
The Sundials: I;Tempus Edax Rerum (Time devours things)
#
Contemporary
#
Matthew Scott Phillips
#
The Sundials: I;Tempus Edax Re
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Matthew Scott Phillips
#
SheetMusicPlus
Piano Trio,String Ensemble - SKU: A0.1004148 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 16 pages. Matthew Scott Phi...
(+)
Piano Trio,String Ensemble - SKU: A0.1004148 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 16 pages. Matthew Scott Phillips #3510879. Published by Matthew Scott Phillips (A0.1004148). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00 ≈
1.87€
The Sundials: II; Pereunt et Imputantur (They pass and are counted)
The Sundials: II; Pereunt et Imputantur (They pass and are counted)
#
String Trio: violin, viola, cello
#
Contemporary
#
Matthew Scott Phillips
#
The Sundials: II; Pereunt et I
#
Matthew Scott Phillips
#
SheetMusicPlus
String Ensemble,String Trio - SKU: A0.1004149 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 13 pages. Matthew Scott Ph...
(+)
String Ensemble,String Trio - SKU: A0.1004149 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 13 pages. Matthew Scott Phillips #3510885. Published by Matthew Scott Phillips (A0.1004149). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00 ≈
1.87€
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1
Moving Through Shadows 
